BHU Digital Repository

Narrating Trans-Cultural Identities in Chimamanda Adichie's Americanah

Show simple item record

dc.contributor.author Adebayo, Mary
dc.date.accessioned 2024-06-14T13:46:21Z
dc.date.available 2024-06-14T13:46:21Z
dc.date.issued 2022-06-21
dc.identifier.issn 2811-2423
dc.identifier.uri http://localhost:8080/xmlui/handle/123456789/1987
dc.description.abstract Identity discourses are becoming more focal and prevalent in postcolonial women’s writings. However, these discourses tend to focus more on the female predicament and images as victims of male dominance. This paper seeks to draw attention to the transcultural realities of women. It examines Chimamanda Ngozi Adichie’s Americanah with the attempt to examine the realities of Nigerian women in the diaspora. Adichie focuses on issues of self-identity, gender, and race with ways women confront, respond to and navigate the complexities of socio-cultural world, defined by the realities of migration and globalisation. Adichie’s fiction revisits the complexities of migration, racism and gender from a transcultural and global perspective. As a way of challenging male dominance, women consciously position themselves as professionals and assert themselves as cosmopolitans to negotiate transcultural selves. en_US
dc.description.sponsorship Self en_US
dc.language.iso en en_US
dc.publisher Northern University Bangladesh & Institute for Leadership and Development Communication, Nigeria en_US
dc.relation.ispartofseries A Quartarly International Peer Reviewed Journal;volume 2 number 1
dc.subject Americanah, Chimamanda Ngozi Adichie, Transcultural, Migration, Racism en_US
dc.title Narrating Trans-Cultural Identities in Chimamanda Adichie's Americanah en_US
dc.type Article en_US


Files in this item

This item appears in the following Collection(s)

Show simple item record

Search BHUDR


Advanced Search

Browse

My Account